“Why is it that we try to achieve new insights, new knowledge, new design by way of making artifacts such as sketches, diagrams, and models?”
In her essay “Parallel Lines as Tools for Making Turbulence Visible” (Representations 124), Inge Hinterwaldner, Assistant of Modern Art History at the University of Basel, addresses this question through the work of physicists Etienne-Jules Marey and Friedrich Ahlborn, both of whom made photographic attempts to depict turbulence in air and water at the turn of the twentieth century. Both scientists used parallel lines to describe their findings, yet their representations functioned differently, depending on the differing underlying conceptions from which each began.
Inge Hinterwaldner’s research interests include computer-based art and architecture, image theory, model theory, and temporality in the visual arts. Her first book is entitled Das systemische Bild (The systemic image; Munich, 2010).