BEATE FRICKE Presence Through Absence: Thresholds and Mimesis in Painting
PATRICIA SIEBER Universal Brotherhood Revisited: Peter Perring Thoms (1790-1855), Artisan Practices, and the Genesis of A Chinacentric Sinology
S. PEARL BRILMYER Plasticity, Form and the Matter of Character in Middlemarch
PAULA AMAD Film as the “Skin of History”: André Bazin and the Specter of the Archive and Death in Nicole Védrès’s Paris 1900 (1947)
ROBERT J. KETT Monumentality as Method: Archaeology and Land Art in the Cold War