“Building on actor-network theory and the history of photographic and cinematic technologies, Inge Hinterwaldner’s article is an elegant, smart, and meaningful contribution to scholarship in science and technology studies that examines the use of experimental visualization to model turbulence in air and water around 1900. The essay discusses how two physicists–Etienne-Jules Marey and Friedrich Ahlborn–contrived to make visible, to measure, and to record these phenomena.” —from the SLSA prize announcement
The Schachterle Prize is awarded annually by the SLSA in recognition of the best new essay on literature and science written in English by a nontenured scholar.
Inge Hinterwaldner’s research interests include computer-based art and architecture, image theory, model theory, and temporality in the visual arts. Her first book is entitled Das systemische Bild (The systemic image; Munich, 2010).
Quirk Historicism and the End(s) of Art History: A One-Day Symposium
Organized by Nicholas Mathew and Mary Ann Smart
Saturday, Nov. 1, UC Berkeley
Geballe Room, 220 Stephens Hall, Townsend Center for the Humanities, UC Berkeley
In many humanities disciplines, the past twenty years or so have witnessed a dramatic expansion in the types of objects and ideas that can be meaningfully invoked in the course of historical study. One consequence of this has been a new reveling in the allure of objets trouvés or historical micronarratives – the conversion of the obscurity, strangeness, and distance of historical debris into a form of rhetoric, which frequently acts as a substitute for more conventional forms of argument or exposition. The emergence of this tendency, which we’re calling Quirk Historicism, is thus partly a story about how historical study has been turned into a kind of aesthetic experience.
Participants include Nicholas Mathew, Mary Ann Smart, James Davies, Emily Dolan, Deirdre Loughridge, James Currie, Benjamin Piekut, Aoife Monks, Ellen Lockhart, Benjamin Walton, Thomas Laqueur, and Alan Tansman.
To find out more, visit the conference website at http://quirkhistoricism.wordpress.com.
On Friday, October 17, the UC Berkeley English department colloquia on 20th/21st-Century Literature and Poetry and Poetics present a conversation with Christopher Nealon, professor of English at Johns Hopkins University. The conversation will be based around a pre-circulated paper, “Poetry and the Price of Value.” The event will take place at UC Berkeley in Wheeler Hall 300, at 2pm.
Christopher Nealon’s essay, “Reading on the Left,” is available in Representations 108 (Fall 2009).
Representations board member Stephen Best hosts event with Vincent Brown
On Friday, October 17, The Black Room and the Institute of International Studies will co-sponsor a talk by Vincent Brown, Charles Warren Professor of History and Professor of African & African-American Studies and the Director of the History Design Studio at Harvard University.
This presentation considers three graphic histories of slavery—a web-based animation of Voyages: The Transatlantic Slave Trade Database, a cartographic narrative of the Jamaican slave revolt of 1760–61, and a web-based archive of enslaved family lineages in Jamaica and Virginia—that illustrate how the archive of slavery is more than the records bequeathed to us by the past; the archive also includes the tools we use to explore it, the vision that allows us to see its traces, and the design decisions that communicate our sense of history’s possibilities.
The event will take place at UC Berkeley in the Maude Fife Room (Wheeler Hall 315) at noon.