Number 144, Fall 2018
“Reading-In”: Franz Boas’s Theory of the Beholder’s Share
ROGER MATHEW GRANT
Music Lessons on Affect and Its Objects
Thermodynamic Rhythm: The Poetics of Waste
JULIÁN JIMÉNEZ HEFFERNAN
The Stamp of Rarity: Ancestrality and Extinction in Daniel Deronda
KATHRYN L. BRACKNEY
Remembering “Planet Auschwitz” During the Cold War
Robert H. Sharf: What Do Nanquan and Schrödinger Have Against Cats?
Upcoming in Representations 145, a special issue, Visual History: The Past in Pictures, edited by Daniela Bleichmar and Vanessa R. Schwartz: Billie Melman on the archaeological site of Ur between the two world wars, Randall Meissen on Francisco Pacheco’s Book of True Portraits, Evonne Levy on eyewitness accounts and the Renaissance media revolution, Allan Doyle on Géricault and the production of visual history, and Aaron Rich on role of the Hollywood “research bible” in creating cinematic recreations of the past. With an introduction by the editors. (Coming in February.)
Michael Clune weighs in on
in the Chronicle of Higher Education, posted on October 26:
The crumbling of disciplinary boundaries wasn’t simply visited on literature departments from above. The rot began within. Progressive humanists like myself have largely ignored this history, for fear of giving more ammo to the corporatizing goons. But unless we get honest about our past, our impassioned defense of our disciplines will conceal a hollow core. If our case rests on the suppression of the evidence against us, it will shatter with each new blow.
Michael Clune is professor of English at Case Western Reserve University and writer of creative nonfiction. His essay Orwell and the Obvious appeared in Representations 107.
In this talk Ted Underwood will use science fiction, fantasy, mystery, and the Gothic to explore the advantages of an approach that asks data science to contribute to the humanities by adding perspectival flexibility, rather than sheer scale. Underwood trained predictive models of these genres using ground truth drawn from various sources and periods (19c reviewers, early 20c bibliographies, contemporary librarians), in order to explore how implicit assumptions about genre consolidate or change across time.
Ted Underwood teaches in the School of Information Sciences and the English Department at the University of Illinois, Urbana-Champaign. He was trained as a Romanticist and now applies machine learning to large digital collections. His most recent book, Distant Horizons: Digital Evidence and Literary Change (University of Chicago, Spring 2019) addresses new perspectives opened up by large digital libraries. Underwood’s contributions to Representations include Theorizing Research Practices We Forgot to Theorize Twenty Years Ago and Stories of Parallel Lives and the Status Anxieties of Contemporary Historicism.