Book Chat with D. A. Miller

Join a discussion with Berkeley professor D. A. Miller about his recent book Hidden Hitchcock 

Wednesday, Mar 8, 2017 | 12:00 pm to 1:00 pm
Geballe Room, 220 Stephens Hall, UC Berkeley

Presented by the Townsend Center for the Humanities

No filmmaker has more successfully courted mass-audience understanding than Alfred Hitchcock, and none has been studied more intensively by scholars. In Hidden Hitchcock, D. A. Miller discovers what has remained unseen in Hitchcock’s movies, a secret style that imbues his films with a radical duplicity.

Focusing on three films—Strangers on a Train, Rope, and The Wrong Man—Miller shows how Hitchcock anticipates, even demands, what he terms a “Too-Close Viewer.” Dwelling within us all and vigilant even when everything appears to be in good order, this “Too-Close Viewer” attempts to see more than the director points out.

author photo in colorD. A. Miller is Professor of the Graduate School and the English Department at the University of California, Berkeley. His recent books include 8 ½ and Jane Austen, or the Secret of Style. In 2013, he was elected to the American Academy of Arts and Sciences. Miller has published on Hitchcock twice in Representations: “Hitchcock’s Understyle: A Too-Close View of Rope“ (121, Winter 2013) and “Anal Rope“ (31, Fall 1990).

D. A. Miller, “Hitchcock’s Understyle: A Too-Close View of Rope”

“The story of the perfect crime, I said earlier, is the story of the perfect crime’s failure; let me now add that, normally, that failure doesn’t affect the story’s form. On the contrary, it is precisely the crime’s failure that allows the story form to display the superiority of its own contrivance. The character whose mandate is to make a mistake is caught in a duel with the author whose equally mandated prescience is always exploiting the mistake
to successful narrative effect. In this structurally unequal contest, the protagonist’s not quite-perfect crime proves the foil for the author’s infallible perfect-crime story.”

From Issue #121 (available here)

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