Representations’ Andrew Jones receives Guggenheim

Congratulations to Representations editorial board member Andrew F. Jones.

 

Jones, professor and Louis B. Agassiz Chair in Chinese in the East Asian Languages and Cultures Department at UC Berkeley, has been awarded a 2015 John Simon Guggenheim Memorial Foundation fellowship. Jones was selected as one of 175 scholars, scientists, and artists across the United States and Canada who have shown “prior achievement and exceptional promise” in their work.

 

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At Berkeley, Jones teaches modern Chinese literature and media culture. His Like a Knife: Ideology and Genre in Contemporary Chinese Popular Music (Cornell East Asia Series, 1992) was the first book-length study of the emergence of Chinese rock music in the years before and after the Tiananmen movement of 1989. Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age (Duke University Press, 2001) explored the cultural history of modern Chinese music, tracing its emergence from out of the complex musical and media topography of colonial Shanghai in the 1920s and 1930s. With the support of the Guggenheim foundation, he will complete a book entitled Circuit Listening: Chinese Popular Music in the Transistor Era, which will listen to the sonic history of the long global 1960s from the perspective of a place that is usually dismissed as marginal to the musical revolutions of those years. The book will attempt to write China back into the narrative of how we hear the explosion of new popular musics for which these years are famous; and by the same token, reinsert the “global” into our sometimes hermetic sense of Chinese cultural history in those years.

Hinterwaldner Essay Wins Schachterle Prize

Inge Hinterwaldner’s Parallel Lines as Tools for Making Turbulence Visible (Representations 124) has won the 2104 Schachterle Essay Prize from the Society for Literature, Science, and the Arts (SLSA).

“Building on actor-network theory and the history of photographic and cinematic technologies, Inge Hinterwaldner’s article is an elegant, smart, and meaningful contribution to scholarship in science and technology studies that examines the use of experimental visualization to model turbulence in air and water around 1900. The essay discusses how two physicists–Etienne-Jules Marey and Friedrich Ahlborn–contrived to make visible, to measure, and to record these phenomena.” —from the SLSA prize announcement

The Schachterle Prize is awarded annually by the SLSA in recognition of the best new essay on literature and science written in English by a nontenured scholar.

Inge Hinterwaldner’s research interests include computer-based art and architecture, image theory, model theory, and temporality in the visual arts. Her first book is entitled Das systemische Bild (The systemic image; Munich, 2010).